David Osenberg

Partnership Manager, Music Director, Afternoon Host

David Osenberg is WWFM Partnership Manager, WWFM Music Director, Afternoon Host, and Host of award-winning Cadenza. 

The high point in David Osenberg’s broadcasting career came in 2014 when he was the recipient of the Deems Taylor/Virgil Thomson Award for Broadcasting for his weekly program, Cadenza.  David came to WWFM The Classical Network in 2004. In 2006 he began hosting his weekly Cadenza interview program. Since 2009 he has been at the forefront in making the station the most active classical music station in the USA to broadcast live concerts.  He currently serves as Music Director, Partnership Manager, Host of Cadenza, the unique Celebrating Our Musical Future (bringing listeners weekly concerts from the great music schools in the country) and afternoon drive time host.

David was born in Oak Park, IL. He decided to go into music while in High School. He completed a Masters of Music degree from Northwestern University in Composition and Theory. Primary compositions teachers were Dr. Richard Hillert, M. William Karlins and Anthony Payne.

He lived and studied in Europe in the early 1980s.  His career in the classical recording industry began at Rose Records in Chicago, then on to HMV in London, manager of the Tower Records Classical Annex in Philadelphia (Tower Records Small Store of the Year 1992), Product Manager for Naxos USA and Director of  Marketing positions at Qualiton Imports and Forte Distribution. He founded and ran his Classical Recordings Mailing service, ClassiQuest (written up in Billboard in 2002) for 8 years.

In the past he has taught music at the University of Delaware-Wilmington, served as Music Director at a church and founded and still leads The Straight Ahead Big Band.

He is the father of two - both fine musicians - and currently lives in Langhorne, PA.  A lifelong Chicago sports fans…he WAS a long suffering Chicago Cubs  fan…until this year!!

Ways to Connect

DVORAK AND HIAWATHA

Is the New World Symphony about Hiawatha? Did Dvorak become an “American composer” during his momentous American sojourn of 1892-1895? Do his American piano works forecast Scott Joplin and George Gershwin? Did Dvorak represent a greater hope for American music than would Aaron Copland?

Tune into a no-holds-barred debate between Bill McGlaughlin and PostClassical Ensemble’s Joe Horowitz and Angel Gil-Ordonez, peppered with strong opinions and inside knowledge. 

Celebrating Our Musical Future this Monday presents performances of Edgar Varese's Octandre and Mahler's Symphony No. 4 in Klaus Simon's chamber reduction for 14 instruments.

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