Nate Chinen

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The NEA Jazz Masters Award is often described as the nation's highest honor for a living jazz musician. From the first its program has celebrated a broad aesthetic range — its inaugural class of honorees, in 1982, consisted of bebop icon Dizzy Gillespie, his trumpet precursor Roy Eldridge and the interstellar visionary Sun Ra. As those initial inductees show, the roll call of NEA Jazz Masters have represented striking diversity within the uppermost echelon of achievement in this music.

There's no shortage of poignant moments in I Called Him Morgan, Kasper Collin's mesmerizing new documentary about the life and death of jazz trumpeter Lee Morgan. One moment, about half an hour into the film, has stuck with me since I first saw it, lingering like an afterimage or the hook from a song.

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