A Tempo with Rachel Katz

Saturday at 7 pm

A Tempo is devoted to issues, challenges and opportunities facing the performing arts. In addition to feature interviews with key people making a difference in the arts, the show also includes relevant news headlines from around the globe. 

Ways to Connect

Mark Garvin

When the Annenberg Center for the Performing Arts on the campus of the University of Pennsylvania opened in 1971, its goal was to serve the diverse and changing audiences of Philadelphia and the region. Executive and Artistic Director Christopher Gruits, who took the helm in September 2016, has kept that mission front and center in planning the center's programming.

Penn Libraries

The voice of Marian Anderson resonates not just with beauty, but also with a proud and historic legacy. She made history as the first African American woman to sing a leading role at the Metropolitan Opera in 1955, and about 16 years earlier, a refusal by the Daughters of the American Revolution to allow her to perform before an integrated audience at Constitution Hall in Washington DC led to an outdoor concert on the steps of the Lincoln Memorial, supported by then First Lady Eleanor Roosevelt. 

Heinz Weissenstein / Whitestone Photos

Tanglewood, home to one of the most iconic U.S. summer music festivals, is undergoing an expansion project that will add new performance, rehearsal and educational venues and enhance the landscaping on its bucolic campus. This Saturday, A Tempo (3/31) explores some of these plans, as well as this summer's tribute to Leonard Bernstein, with Mark Volpe, managing director of the Boston Symphony Orchestra. The program can be heard at 7 pm. 

Opera Philadelphia

With the successful launch of its new Fall festival format under with its belt, Opera Philadelphia this week announced its plans for its O18 Festival. The festival will run September 20-30, 2018, bringing two world premieres, two new productions and some other treats to opera audiences at a variety of venues.

Actor, author and theater director Simon Callow discovered a whole new side to composer Richard Wagner when he was asked to create a stage show to celebrate the bicentennial of Richard Wagner's birth in 2013, and now Callow has turned his discoveries into a book, Being Wagner, which was just released in the U.S.  This Saturday (3/17), A Tempo host Rachel Katz chats with Callow about his thoughts on this musical giant, including how his darker side, including his seemingly obsessive focus on anti-Semitism, has colored the way his music has been, and should be, received.

A Tempo this Saturday (3/10 at 7 pm) features an interview with Marshall Onofrio, Dean of Rider University’s Westminster College of the Arts, about Rider’s plans to sell Westminster Choir College to Beijing-based Kaiwen Education Technology Co. Host Rachel Katz will also speak with Constance Fee, a member of the Westminster Alumni Council, about hopes and concerns about the plans. 

As part of its Festival devoted to the cultural and social legacy of the 1960s, Carnegie Hall will celebrate the art of the protest song in an upcoming concert that will feature both protest songs of that era and contemporary songs that explore some of today's campaigns for social justice. 

In celebration of the centenary of Leonard Bernstein's birth, the Curtis Institute of Music, Opera Philadelphia and the National Museum of American Jewish History have teamed up to examine how Bernstein explored questions of identity through his late opera A Quiet Place.

A Beijing-based company that runs bi-lingual K-12 schools in China and has been expanding into sports and arts training is seeking to buy Westminster Choir College from Rider University for $40 million.

The announcement by Rider this week of the non-binding agreement with Beijing Kaiwen Education Technology Co. was the first time the university has revealed the name of the interested party or a price tag. No further time line was detailed, and additional details of the agreement were not made public.

As part of its commitment to supporting new American music, Opera Philadelphia next week will premiere Cycles of My Being, a song cycle that delves into the realities and facets of life as a black man in America. Composed by Tyshawn Sorey with lyrics by poet Terrance Hayes, the work will have its world premiere Feb. 20 in a performance by bel canto tenor Lawrence Brownlee, who has been tapped as an artistic advisor to Opera Philadelphia.

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