Classical Music News

How is this for a first day on the job: Maurice Murphy, the London Symphony Orchestra (LSO)'s late principal trumpet player, spent his very first day with the orchestra recording Star Wars' iconic opening theme, with its incredible brass fanfare — and Murphy leading the trumpets.

If the word "aura" is defined as a pervasive atmosphere, then it's a perfect title for this piece by Anna Thorvaldsdottir, who has a knack for creating vivid sonic environments.

When John Luther Adams won the Pulitzer Prize for music in 2014 for his undulating orchestral piece Become Ocean, you'd be forgiven for thinking of him as something like the Jacques Cousteau of contemporary classical music.

A video of Russian President Vladimir Putin taking a turn at the ivories in Beijing is currently making the Internet rounds.

There's a musical asterisk on French president-elect Emmanuel Macron's bio: He is an avid amateur pianist. It's a facet of his life occasionally noted in passing, as in this piece from the French radio network Europe 1 titled "The Things You Don't Yet Know About Emmanuel Macron." Along with mentioning his abiding fondness for karaoke, Europe 1 reported that he studied piano for 10 years at the music conservatory in Amiens, where he won third prize.

Another day, another study undercutting the myth surrounding the 18th-century Italian violin maker Antonio Stradivari.

Since the early 20th century, musicians and instrument experts have been trying to figure out what, if anything, makes the violins he made sound better.

For professional musicians, the instrument on which they play is more than just a tool of the trade. It can also be a muse, a partner and a voice.

Min Kym started playing the violin at age 6 and won her first competition at 11. Now, the former child prodigy is the author of a new book: Gone: A Girl, A Violin, A Life Unstrung, in which she shares her story of finding her perfect partner — only to have it stolen away.

Although more women have been winning Pulitzer Prizes for music lately, it's still next to impossible to hear works by female composers performed by America's symphony orchestras.

This year's Pulitzer winner, Du Yun, has a lot to say about the situation.

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