Since its premiere in 1918, Gustav Holst's symphonic cycle The Planets has effectively defined the informal genre of "music about space." But more recently, four prominent artists from different musical realms collaborated on a cosmic exploration of their own. It culminated in Planetarium, which was released earlier this month.
It's now officially summer, which means it's time to kick back, pour out a glass of rosé and listen to the ever-timeless Overture to A Midsummer Night's Dream, by composer Felix Mendelssohn. The German composer wrote the Overture (Op. 21) when he was only 17, but by then he was a seasoned composer with numerous operas and string symphonies under his belt.
Earlier this month, the New York Philharmonic's outgoing music director Alan Gilbert said goodbye to his orchestra in a series of concerts. Today, he is saying hello to a brand new job in Hamburg, Germany.
Now here's a creative way to promote your upcoming symphony season and up your brand: Strap your conductor in a motion capture suit, switch on a dozen high-tech cameras, and get an artist to translate the data into kaleidoscopic shapes and colors.
How does a scientist become a principal timpanist at the Met?
Jason Haaheim gets that question all the time. The 38-year-old is a former nanotechnology researcher, with a master's degree in electrical engineering. But four years ago, he made a major life pivot: to play professionally with the Metropolitan Opera Orchestra.